Sympathy In Wrights Native Son Essays - Native Son, Richard Wright

Sympathy in Wright's Native Son In Native Son, Richard Wright introduces Bigger Thomas, a liar and a thief. Wright evokes sympathy for this man despite the fact that he commits two murders. Through the reactions of others to his actions and through his own reactions to what he has done, the author creates compassion in the reader towards Bigger to help convey the desperate state of Black Americans in the 1930's. The simplest method Wright uses to produce sympathy is the portrayal of the hatred and intolerance shown toward Thomas as a black criminal. This first occurs when Bigger is immediately suspected as being involved in Mary Dalton's disappearance. Mr. Britten suspects that Bigger is guilty and only ceases his attacks when Bigger casts enough suspicion on Jan to convince Mr. Dalton. Britten explains, "To me, a nigger's a nigger" (Wright, Richard. Native Son. New York: Harper and Row, 1940. 154). Because of Bigger's blackness, it is immediately assumed that he is responsible in some capacity. This assumption causes the reader to sympathize with Bigger. While only a kidnapping or possible murder are being investigated, once Bigger is fingered as the culprit, the newspapers say the incident is "possibly a sex crime" (228). Eleven pages later, Wright depicts bold black headlines proclaiming a "rapist" (239) on the loose. Wright evokes compassion for Bigger, knowing that he is this time unjus tly accused. The reader is greatly moved when Chicago's citizens direct all their racial hatred directly at Bigger. The shouts "Kill him! Lynch him! That black sonofabitch! Kill that black ape!" (253) immediately after his capture encourage a concern for Bigger's well-being. Wright intends for the reader to extend this fear for the safety of Bigger toward the entire black community. The reader's sympathy is further encouraged when the reader remembers that all this hatred has been spurred by an accident. While Bigger Thomas does many evil things, the immorality of his role in Mary Dalton's death is questionable. His hasty decision to put the pillow over Mary's face is the climax of a night in which nothing has gone right for Bigger. We feel sympathy because Bigger has been forced into uncomfortable positions all night. With good intentions, Jan and Mary place Bigger in situations that make him feel "a cold, dumb, and inarticulate hate" (68) for them. Wright hopes the reader will share Bigger's uneasiness. The reader struggles with Bigger's task of getting Mary into her bed and is relieved when he has safely accomplished his mission. With the revelation of Mary's death, Wright emphasizes Bigger's future, turning Mary into the "white woman" (86) that Bigger will be prosecuted for killing. Wright focuses full attention on the bewildered Bigger, forcing the reader to see the situation through Bigger's eyes. He uses Bigger's bewilderment to represent the confusion and desperation of Black America. The author stresses that Bigger Thomas is a mere victim of desperation, not a perpetrator of malicious violence. Desperation is the characteristic Wright uses throughout the novel to draw sympathy for Bigger. A killer with a calculated plan for evading punishment would be viewed more negatively than Bigger, a confused young man desperately seeking a means of escape. His first poor decision after Mary's death is to burn her in the Dalton furnace. The vile and outrageous course of action taken by Bigger impresses upon the reader the complete disarray of his thoughts. Readers observe the absence of careful thought as Bigger jumps out the Dalton's window, urinating on himself, and as he frantically rushes from building to building, searching for shelter. However, Wright also includes actions that seem irreproachable despite Bigger's state of mind. His brutal murder of Bessie, the only character willing to help him, angers the reader. It is at that point that Bigger seems most immoral, but Wright again shows Bigger's helplessness. Wright contrasts the "insistent and demanding" (219) desire that enco urages Bigger to force intercourse with Bessie with the desperation that causes him to kill her. Even in the most immoral of acts, Wright finds a way to accentuate the difference between actions borne of depravity and those borne of desperation.. The ultimate desperation and hopeless nature of Bigger's future as the book closes and the

Satire on Global Warming Essays

Satire on Global Warming Essays Satire on Global Warming Paper Satire on Global Warming Paper I am proposing that the people of the world minimize their heat usage to the extreme. This means minimal heating in cars, houses, and the use of appliances that generate heat must be minimized. If everyone sacrifices this amount of heating, we can get the earth back down to a normal temperature. The use of hair dryers, curling irons, computers, copy machines, or any other electrical appliance which generates any amount of heat must be limited to an hour per day. At the present moment, most electrical machines r devices are kept turned on throughout the entire day, whether they are in use or just sitting somewhere producing heat, which in turn, is causing global warming. In recent news reports, 49 out of the 50 states have had snowfall in the same day. The only state that did not have snow was Hawaii. This means the typical hot states like Florida, Texas, and Alabama had snowfall. This is not normal, especially since this has been a repeated occurrence Global warming is causing chaos in the weather systems!!! This news should stop he people of the world in their tracks and cause them to change their ways immediately, but yet it does not. What will stop people in their tracks? When the world explodes because of too much global warming? This issue has gotten out of hand and it is time to end it. So, people of the world! It is your time to make a difference. Turn off the TVs, lights, and computers. Unplug the cell phones, hair dryers, and toasters. Use less electricity-sucking appliances which are heating everything up and join in the force to save the planet!

Entourage by Doug Ellin Movie Review Example | Topics and Well Written Essays - 750 words

Entourage by Doug Ellin - Movie Review Example Vince's entourage consists of: Eric, his closest friend who acts as his manager; Johnny "Drama" Chase, his older brother, an avid cook and a struggling actor in his own right; and Turtle, who is simply living the high life riding Vince's coattails and serves as a chauffeur." (Entourage (TV series) Summary) The other main characters in the series include Vinces successful agent Ari, the publicist Shauna, and Emily. Thus, the characters of the series include Vince - played by Adrian Grenier, Eric - played by Kevin Connolly, "Drama" - Kevin Dillon, Turtle - Jerry Ferrara, Ari - Jeremy Piven, Mrs. Ari - Perrey Reeves, Lloyd - Rex Lee, Andrew Klein - Gary Cole, and Sloan - Emmanuelle Chriqui. This paper makes a reflective exploration of the characters, overall effectiveness, connectivity, design and execution of the series Entourage in order to determine the various factors that contribute to the overall success of the series. In a profound analysis of the characters in the series, it becomes lucid that the makers of the show have been careful in the creation of the major characters that are central to the entire plot of the series. The various episodes of the TV series revolve round the six major characters such as Vincent Chase, Eric "E" Murphy, Johnny "Drama" Chase, Turtle, Ari Gold, and Mrs. Gold, and these roles are played by successful actors. The hero, Vincent Chase is a young and upcoming A-list actor and this role is efficiently played by Adrian Grenier. Similarly, Kevin Connolly plays the role of Vince's best friend and manager and Kevin Dillon plays the role Vince's elder brother. Other important players include Jerry Ferrara, who plays the role of Turtle, Jeremy Piven, who plays Ari Gold, and Perrey Reeves, who takes the role of Mrs. Gold. These main characters, along with the supporting characters and the recurring characters, make the main actions of the series. Through the various actions a nd dialogues of these characters, this comedy-drama offers accounts about the Hollywood social and professional scene. As Gary Richard Edgerton and Jeffrey P. Jones maintain, "Entourage follows the HBO tradition of integrating narratives about the Hollywood social and professional scene with many guest appearances and jokes at the industry's expense." (Edgerton and Jones, 165) Therefore, the characters in the series Entourage offer convincing picture of the Hollywood lifestyle and deal with the theme of male friendship, especially through the the friendship between the four main characters. A careful analysis of the various elements in the series Entourage confirms that the overall effectiveness of the comedy is unquestionable and it is affirmed by the various awards and nominations won by the series including Emmy, Golden Globe etc. It is important to recognize that the series achieves success with regard to its cast and characters, plot, themes and characteristics etc. The theme of male friendship has been presented effectively through the relationship among the four important characters of the show and its significance over work becomes obvious to the audience. Significantly, the life in Hollywood is best presented through the various characters in the show, and the numerous celebrities who have guest-starred on the show offer convincing evidences to the life in Hollywood. "True to the Hollywood satire genre, "Entourage" is scattered with cameo appearances by famous people playing themselves. Alba's on

Chrysler Group LLC Research Paper Example | Topics and Well Written Essays - 750 words

Chrysler Group LLC - Research Paper Example This is a good stance for our students since they will also learn the basic tenets of corporate social responsibility. As a reputable institution, we should groom our students so that they can meaningfully contribute to the development of different societies rather than just focusing on getting well paying jobs. This will also help to create a good reputation for the institution if we are associated with companies that are socially responsible for their operations. The aspect of good corporate citizen makes Chrysler Group an ideal company to partner with in as far as internship for our students is concerned. Good record of workplace safety The other reason why we should partner with Chrysler Group in terms of internship for our students is that it has a good record of workplace safety environment. Our students will be safe if they are attached to this company and they will also generate knowledge about the significance of creating and maintaining safe working environments. The Nation al Safety Council (NSC) recognized Chrysler Group’s focus on improving safety in the workplace recently. Each company has a responsibility of ensuring that it creates a safe working environment and there is no doubt that Chrysler is good in this particular area. The company also strives to maintain good records of quality working relationships and this will help our students to gain the practical experience they so much require. This will also help our students to transform the theoretical knowledge they have so far acquired from their academic courses into practice. The aspect of good record of workplace safety maintained by Chrysler Group will play a pivotal role in the development of our students. Committed to develop diverse future business leaders Finally, there are indications that the company will uphold its commitment to develop diverse future business leaders. This is evidenced by Zetsche’s outstanding leadership qualities that significantly helped the company to turnaround its fortunes in the early 2000 after unprecedented loses. This leader is accommodative and to date Chrysler Group boasts of diverse and competitive leaders who come from different parts of the globe. The major success of the company can be attributed to its strategy of recruiting talented people from diverse backgrounds. The company also has retention schemes in places that are meant to ensure that all the skilled workers stay for a long period there. The company also has a policy that is meant to attract students for internship and this program is designed in such a way that the students will improve their business communication skills. Of notable concern is the fact that Chrysler Group offer scholarships to talented MBA candidates and it draws the applicants from more than 30 of the nation’s leading business schools. It will be a privilege for our school to be associated with is reputable company since it will help us to create a positive image. On top of tha t, our students will be marketable internationally which will be an added advantage to them as well as our institution. It is my conviction that the company’s commitment to develop diverse future business leaders will go a long way in assisting our students with their internship

Kingdom of Heaven Essay Example | Topics and Well Written Essays - 1000 words

Kingdom of Heaven - Essay Example For example, if a film is set in the time of Christ, the people need to be following the customs of the Roman Empire along with wearing the correct robes. They should not be in a three piece suit and penny loafers, unless the movie has to deal with a man out of time. The third responsibility of the filmmaker is to not keep the locations to their accurate size so that the viewer seems as though they were there. The historical piece that will be used to determine the three responsibilities is Ridley Scott’s 12th Century epic, Kingdom of Heaven. Kingdom of Heaven is a film set during the Crusades about a French blacksmith named Balian, who is searching for a reason to go on after the death of his wife and children. A fabled knight, Godfrey of Ibelin, has briefly returned home after serving in thr East. Godfrey approaches Balian and let’s the blacksmith know that he himself is the blacksmith’s true father. Godfrey, then, asks Balian to join him and his troops in thei r journey to return to the Holy City of Jerusalem to help in the city’s defense. The blacksmith accepts the offer of Godfrey. Their arrival falls in between the Second and Third Crusades when Jerusalem is enjoying a period of peace between the Muslims and the Christians. This peace was all thanks to the Christian monarch King Baldwin IV, his second-in-command Tiberius, and the Muslim potentate Saladin. Unfortunately, the peace does last since violent agitators set out to increase their power. Saladin had to bow down to the pressure Godfey and his men stayed o give their allegiance to the king and his community of diversity. The knights, as well as Balian, use their skills as warriors to build a lasting peace. Orlando Bloom (Balian) is one of the main stars of the film along with Liam Neeson (Godfrey), Edward Norton (Baldwin IV), and Jeremy Iron (Tiberias). In Kingdom of Heaven, I noticed that the overall peace between the Muslims and Christians seemed to show the lack of reli giousness. Rather, the situational tension amongst the Christians and the Muslims seem to be more like a backdrop, than a major part of the story. The story is set between the Second and Third Crusades. However, the action and fighting as warriors is more prevalent than the religious aspects of the Crusade that should be more available. King Baldwin IV was a monarch who wanted to convey peace and diversity amongst the religious factions that want to control the Holy City of Jerusalem. Thus, the filmmaker seemed to use the facts of the time period as more of a symbol for the setting, than as the setting itself. The fighting may have been more gruesome for a film that should be more focused upon Baldwin’s Kingdom of Heaven, then the relationships of a lone person. The relationships should be more about the groups trying to vie for power in Jerusalem, than that of a single man. This story portrays single man being effective in the war to maintain the peace and diversity througho ut the city of Jerusalem during the reign of Baldwin IV. However, the portrayal should be how Baldwin could bring about the change in the ancient fight of the Muslims and the Christians, not how a French blacksmith becomes a knight to help defend the ancient, Holy City from the agitators that wish to overthrow Baldwin IV and claim power for themselves. I feel the overall responsibility of keeping the accuracy of the facts was a little massacred instead of being kept intact by the screenwriters or even portrayed effectively by

Basic Concepts And Principles In Modern Musical Analysis Music Essay

Basic Concepts And Principles In Modern Musical Analysis Music Essay Abstract: this subject is fascinating through the interpretive possibilities that it opens. The accurate understanding and practice of Schenkers theories leads to a different perception of the music and to a natural way of performing. Therefore, we consider the schenkerian analysis not only a theory, but also a comprehensive way of understanding musical works. Schenkerian analysis provides a comprehensive view of music from the small to the large representing thus a great asset to hearing understanding and performance. Key words: musical analysis, Schenker, background, middle ground, foreground, prolongation, structure 1.  Introduction The schenkerian analyses are a method based on the theories of Heinrich Schenker whose purpose is to disclose the structure of a tonal piece, through musical notations. The basic principle in the structure of a piece for the Schenkerian analysis is showing hierarchical relationships amongst the notes of the passage through making reductions of the music and through a specialized symbolic musical notation that Schenker developed to demonstrate various techniques of prolongation. He considered that the deep, long-range structure of a piece of music has no particular rhythm, so the musical reductions of Schenkerian analysis are usually arrhythmic. Schenkerian analysis the long-range structure is defined Background (or fundamental structure, while the surface aspects of the music are the Foreground. One can state the idea that the background of a musical composition is arrhythmic or, rhythm is a characteristic of the musical foreground. In the most common way, the purpose of schenkerian analysis is to omit the unessential and to emphasize the important relations. 2. Basic concepts There are many methods of approaching the schenkerian analyses. Schenker, followed by Jonas, began by describing the essential structure of music: the triad and its linear unfolding through arpeggiation and through passing and auxiliary notes, in its most abstract form. Next, they discuss the forms that these structures could have in any musical context. Schenkers approach relies on the fundamental principles of the harmony and counterpoint. Allen Forte and Steven E. Gilbert, on the other hand, began by showing different apparitions of the arpeggiation, passing tones, etc. at the note-to-note level before showing the way to use these in order to create musical forms of greater proportions. Other music theorists, for example Felix Salzer and Carl Schachter, added to and spread Schenkers ideas. By the 1960s, Schenkerian analysis had begun to attract renewed interest, and by the 1980s, it had become one of the main analytical methods used by many music theorists. 2.1. Structural concepts Fundamental structure (Ursatz) is the representative progression of which all tonal pieces are hypothetically an elaboration that Schenker believed to be (along with a number of variants) the most basic expression of tonal music. It consists of the descending progression from , or in the upper part (Urlinie) over a bass progression (Bassbrechung) that emerges in the background as part of the fundamental structure. This progression represents one of the simplest contrapuntal expressions of the I-V-I unit. Schenker described the fundamental structure as a tension span, as the tension introduced by the initial is not resolved until the music reaches the final over the tonic. For Schenker, this tension span was what tied complex and various pieces of music into a single coherent work of art. Schenker considered that any piece of tonal music can be described as an elaboration of this pattern: tonal pieces generally start with I and the V I epitomizes the final perfect cadence of the piece. Nevertheless, in a longer piece, whole sections may prolong V (Schenker called this a tonicization of the dominant) and also, there may be other harmonic sections prolonged in between the initial I and the V of the final perfect cadence, the bass of the fundamental structure appearing in many different layers of a piece. The bass line is only a harmonic progression and Schenkers theory seeks to comprehend music in terms of a two-part contrapuntal structure. Layer or level (Schicht) represents the fundamental idea of Schenkerian theory that music consists of a series of layers of elaboration. Schenker suggests that simpler layers underpin the complex ones in almost the way in which a variation on a theme supports the surface of the music. Background (Hintergrund) refers only to the Ursatz form that covers a whole piece or movement. In some cases, one can use it to refer to the Ursatz and its immediate prolongations (like the initial ascent etc.) that are usually part of the first level of the middle ground. In theory, one simple progression that spans the entire piece is the foundation on which the composer created the entire piece. First-level Middle ground refers to the immediate prolongations of the Ursatz that Schenker restricts to a small number of strictly defined forms. The background sometimes refers to this level of the structure as elaborations. Middle ground (Mittelgrund) is the surface layer of a piece of music, the background being the deepest layer, of which the whole piece is understood to be an elaboration. The middle ground has a variable number of occurring layers that a Schenkerian analysis will identify between the foreground and background. Foreground (Vordergrund) is the surface layer of the music. Schenker regards music in terms of layers of elaboration from the profound structure to the surface. Prolongation refers to the elaboration of contrapuntal structures. Schenker considered that all tonal pieces are therefore, a prolongation of the Ursatz. The concept of prolongation lies at the foundation of Schenkers theory and is the most influential element of it. Using the basic principles of consonance and dissonance from species counterpoint, Schenker identifies a number of common linear units that he calls diminutions. Because diminutions must prolong a harmonic unit in Schenkers theory, only a note that is consonant with the prevailing harmony can generate a diminution. Prolongation is an extension through time (by an arpeggio, for example) in a piece of music of a harmonic unit (a chord or a note from that chord). Schenkers analyses, at their simplest level, show how linear units prolong harmonic units. Tonicization is the Schenkerian term for modulation. The use of this term highlights the fact that a tonal piece corresponds to a contrapuntal realization of the tonic. 2.2. Melodic concepts Fundamental descent (Urlinie) is the top line of the two-part Ursatz, comprising a note by note descent from , or to . The term reflects Schenkers belief that this archetypal descending motion underlines all tonal pieces. Primary tone (Kopfton) is the first note of the Urlinie (meaning the , or ). Finding the correct primary tone is an important aspect as it can make a considerable difference to the rest of an analysis. If the Urlinie appears is elaborated of an initial ascent, the Kopfton will not be found right at the beginning of the piece. Bass Arpeggiation (Bassbrechung) literally translates as breaking of the bass, but is more often referred to as the bass arpeggiation. The Bassbrechung is the I-V-I that support the Urlinie as part of the Ursatz, including all the elaborations of this pattern. The basic harmonic progression appears as contrapuntally elaborated, normally creating harmonic patterns such as I-III-V-I or I-II-V-I. Diminution refers to the embellishment of simpler musical structures beneath the surface of the music and describes the process of linear units prolonging harmonic ones. The process of analysis is partly one of looking behind the surface diminutions, but Schenker was more interested in a process of generation from background to foreground (composing-out). Schenker used the basic principles of consonance and dissonance from species counterpoint in order to identify a number of common linear units that he calls diminutions. His analyses, at their most simple level, show how these linear units prolong harmonic units. A theme and variations is a very good example of diminution, because in this genre, the theme supports increasingly complex figurations. Each variation is different but the presence of the theme beneath the surface of the music unifies the whole work. Arpeggiation (Brechung) is a simple elaboration that consists of notes consonant with the prolonged harmony. It is a single movement through notes from a harmony, in the same direction, prolonging a harmonic unit by arpeggiating the notes of the triad. An arpeggiation can only prolong a triad with the exception of the dominant seventh chord. This chord is universal in tonal music that in many situations it makes sense to treat it as a consonant sonority like the triad. In Schenkerian analysis, diminutions usually prolong a harmonic unit and a particular note from that unit. In the arpeggiation (where all the notes belong to the triad), just context could enlighten the main note that is being prolonged, although diminutions are always a prolongation of either their first or last note. The Schenkerian model is a dynamic one the diminution is not static but moves either to or from a principal note. Consonant Skip is a term used by Allen Forte and by some Schenkerian analysts to refer to simple two-note (or incomplete) arpeggiations, which usually constitute some sort of unfolding. The term refers to a particular diminution in which the voice leaps from one note of the harmonic unit to another note of the same harmonic unit. A consonant skip contains only notes from the harmonic unit that it is prolonging. In a Schenkerian analysis, diminutions generally prolong either a harmonic unit or a particular note from it. As in an arpeggiation, both notes from the consonant skip are belong to the triad of the harmonic unit, thus the prolonged note depends on the context. Neighbour Note (Nebennote) is a diminution in which a note is ornamented by a figure that moves stepwise to a note above or below the original note before returning to it. In other words, it elaborates a note of a chord through stepwise motion to and/or from a dissonance. Neighbour notes may also be incomplete (move to a note a step away and not return to the original note). A complete neighbour note moves stepwise a dissonance and back again. An incomplete neighbour note can move from the dissonance to the consonance or the reverse. Passing note (Durchgang) Some Schenkerian analysts recognize most passing note progressions as Linear Progressions (see separate entry). In order to be a true linear progression, however, the passing note must be the elaboration of a harmony. A passing note right at the foreground (surface) of a piece of music may not always fulfil this condition. Examples might be a chromatic passing note or a note that connects two surface harmonies. Mixture (Mischung) is the flattening or sharpening of scale degrees, the most common of which being to à ¢Ã¢â€ž ¢Ã‚ ­, which in the first level middle ground can change the mode of the piece from major to minor. It is ornamentation rather than a diminution because it does not derive from the rules of strict counterpoint. It describes the flattening or sharpening of scale degrees and it usually appears in the first level middle ground in connection with as shown below. It has the effect of changing the mode from major to minor and back again. Schenker most often uses the term mixture to refer to alternation between the major and minor third in a tonic triad. Linear progression (Zug) is the Schenkerian term for a passing note intensification that elaborates a specific harmony in the middle ground or foreground. Its first and last notes must be a part of the harmony at the end of the progression. A linear progression can be either ascending or descending, therefore it moves only in one direction. Schenker appreciates that the linear progression is the unfolding of a two-note interval made up of its initial and final note. In other words, the interval between these notes (first and last) gives a linear progression its name. The simplest linear progression is the passing note, which is dissonant as it passes from one consonant note to another. 3. Basic principles Heinrich Schenkers analytical approach of music engages looking beneath the surface of music in order to understand how it connects into larger spans. It is important for the performer to reflect on the direction and shape of the phrases, in a natural and logical way. At the basic level, one can understand Schenkers ideas as a formalization of his intuitive thinking that music should not be regarded as a series of notes, but in terms of larger-scale shapes and patterns. The basic method of Schenkerian analysis is to show how elaborations such as neighbour and passing notes, progressions and arpeggios group into forming music. These patterns do not appear only on the surface of the music but that they also span much larger fragments. Schenker regarded music like a superposition of layers/levels, the surface layer being the elaboration of a simpler layer beneath that surface. The surface of the music defines as the foreground, the deepest layer the background and those layers of elaborations in between refer to as the middle ground. In addition, an important feature of Schenkerian analysis is showing how melodic figures are elaborations of harmonies. The basic ideas stated by Schenker in his theory are quite simple, but the process of analysis is a complicated one, mostly because music itself is complex. Analysts that approached this kind of analysis found that it provides richly rewarding insights into the shape and structure of tonal music. Schenker is probably most famous for his suggestion that musical works are elaborations of the basic model that he called the Ursatz a two-voice reductive structure forming the basis for an analytical approach that emphasizes the essential simplicity of tonal music. It shows how pieces are contrapuntal elaborations of a tonic chord. Schenker stated that we could reduce a piece of music to the Ursatz, and we can explore the complexities of the piece by considering them in relation to this simple model. Some theorists (like Steven Porter (2002)) that approached schenkerian analysis referred to grammar in order to explain the principles of Schenkers theories, taking into consideration that notes and chords that belong to a musical phrase are like words into a sentence. One analyzes a word as a part of speech, having, in the same time, a function within the sentence. Felix Salzer (1952) introduced a concept that describes very well the schenkerian analysis: structural hearing. He considered that the understanding of tonal music is a matter of hearing, and the ear has to be trained to hear not only a succession of tones (sounds), melodic lines and chord progressions, but also their coherence and structural signification. Schenkers conceptions rely on an observation that represents the corner stone of his research: the distinction of the chord grammar and chord signification (Salzer, 1952). Chord grammar signifies the usual method of analysis, this being the most important feature of a harmonic analysis that has the purpose of status recognition of the chords in a musical piece. On the other hand, the study of chord signification shows his specific role in a phrase, or an entire piece. Schenker discovered that the roles that chords have are diverse. Two identical chords that appear in the same phrase can fulfil different functions. The signification and the function of a sound or of a chord depend on the direction of the movement and on the purpose, in other words on the context. Schenker made a distinction between structure chords and prolongation chords, by means of chord grammar and signification, taking into consideration the direction of music this being the main idea of his approach. Salzer considered that this method of understanding the movement of music represents the instinctive perception of a truly musical ear; this can be called structural hearing. The structural outline and framework work signifies the main movement to its goal, showing the shortest way to it. Nevertheless, the tension of music consists in modifications, expansions and elaborations called prolongations of the structure, and the artistic coherence rises if one understands their basic direction. The distinction between structure and prolongation led Schenker to a new conception of the functions of harmony and counterpoint in creating organic unity: not all chords are of harmonic origin, this statement having an effect on understanding the music. Schenkers harmony explains the tonal system like a group of major triads derived from the harmonic series, like a vertical aspect of music. His theories of counterpoint show the way that simple progressions can be ornamented following simple rules based on the succession of consonant and dissonant intervals, like a horizontal aspect of the music. In Free Composition (1953), Schenker explains the way that harmony and counterpoint combine in tonal compositions. Using the basic principles of consonance and dissonance from the species counterpoint, Schenker identifies a number of common linear units that he named diminutions, showing, by means of concrete analyses, the way that these linear units prolong harmonic units. The concept of prolongation is the base of the schenkerian theories and because the diminutions have to prolong a harmonic unity, just a consonant tone with the harmony can give rise to a diminution. Beside the structural and prolongation roles or the diverse functions that chords can have, they can have harmonic or contrapuntal importance. A chord performs a harmonic function in the context of a fundamental progression. Schenker considers that the term harmony should only refer to members of a harmonic progression; these are harmonies in the true sense of the word, because they connect based on a harmonic association (Salzer, 1953). Chords not based on harmonic associations are products of motion, direction, and embellishment and have a horizontal tendency. Harmonic chords are also structural chords (they constitute the structural framework), and the contrapuntal ones are chords of prolongation (they prolong and elaborate the space between members of harmonic progressions).

Social Issues in The House on Mango Street Essay -- essays research pa

The House on Mango Street: More than a Story In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major problems in society. Sandra Cisneros often shows us how women are treated as subordinates in a patriarchal society. In society the way women are supposed to better themselves is by marrying. Often women marry at a young age which Cisneros condemns in The House on Mango Street by stating that her friend, Sally, should not have gotten married by saying: Sally got married like we knew she would, young and not ready but married just the same. She met a marshmallow salesman at a school bazaar, and she married him in another state where it’s legal to get married before eighth grade. She has her husband and her house now, her pillowcases and her plates. She says she is in love, but I think she did it to escape. (101) This excerpt shows how Cisneros believes that she should not have gotten married at a young age when she says that Sally is â€Å"young and not ready†. The author also reinforces how women too often get married â€Å"to escape†. Esperanza tells us that after the women get married they are suppos... ...me to think when the cop car pulled in the alley going just as fast. (24) This quote shows that in their society people often did the wrong thing, but the people did everything with a good intention and that they are not just evil. Sandra Cisneros ends up conquering the social issues that had oppressed her. The role of a woman was rejected through her remaining independent. By her becoming successful and getting out of poverty the discrimination towards impoverished people is overcome. Lastly, she overcomes the racism by writing about it so that people everywhere can realize that it is wrong. Throughout The House on Mango Street women’s roles and the way they are treated, the judging based upon wealth, and racism are major issues that Esperanza has to work to overcome. Works Cited Cisneros, Sandra. The House on Mango Street. New York: Vintage Books, 1991.

Substantive vs. Not Substantive

Class discussion is an important aspect of the learning process. In academic institutions, this activity is the common practice among education practitioners in order to stimulate the minds of their students. Through class discussion, an exchange of ideas, opinions and perspectives transpire. With this, participants are encouraged to vocalize their understanding on a particular subject matter which helps in honing their different skills and developing different types of intelligence.However, if a teacher is not properly conducting a discussion, there is a tendency for the students to respond with mediocre or below average answers or thoughts. To produce thorough analyses and an in-depth discussion, teachers should initiate an open-ended discussion which usually starts with a question that does not require a a right or wrong answer. Through this, students will not be apprehensive about sharing their ideas because the notion of being humiliated will be eliminated.Also, teachers should not hesitate to make follow up questions in order to test whether students were able to fully comprehend the lecture or lesson. Another strategy to create a great discussion is avoiding monopoly. Every participant should be given equal opportunities to express their ideas. This can prevent certain individuals from controlling the flow and content of the discussion. As a result, every aspect of the subject can be explored or analyzed. Furthermore, encouraging students to relate or apply the topic to their daily experiences can produce a meaningful discussion (Saskatoon Public Schools, 2008).Moreover, to differentiate substantive from non-substantive responses in a discussion, teachers must look at relevance, logic, substance and objectivity. The relevance of the response to the topic should be the primary quality to be reviewed to determine if it is substantial or not. Then, the significance of the answer to the topic. Find out whether the response is essential to the advancement of the topic. The more unusual the answer the better but it must be logical. Also, it is important to provide answers that are objective in order to minimize limiting one's knowledge about a particular subject matter.

Cell Membrane Lab Report Essays

Cell Membrane Lab Report Essays Cell Membrane Lab Report Paper Cell Membrane Lab Report Paper Time (min) Total Diameter (mm) Distance of Diffusion * (mm) Rate (mm/min) * 15 30 45 Potassium Permanganate 5 Celsius Methyl Blue 5 Celsius Total Diameter (mm) Distance diffused = diameter of each reading minus initial diameter Rate distance in mm/elapsed time (min) Double click the chart below. A spreadsheet will open. Enter the data from the table above into the spreadsheet in the areas provided. When you are finished, click into another area of the lab report. The spreadsheet will close automatically. Do not close the spreadsheet with the X in the upper right corner. What effect did temperature have on the rate of diffusion? How did molecule size affect the rate of diffusion? What happens to the rate of diffusion over time? Why? What can you conclude from this experiment? II. Osmosis Osmosis EXERCISE 2 Osmosis demonstration After 15 minutes, record the volume change in each tube. Seismometer Dialysis Tube Contents Beaker Contents Volume Fluid Moved Direction of Movement 2 Describe the net movement of water in seismometer 1 . Describe the net movement of the water in seismometer 2. How is the movement of water molecules related to the concentration gradient of the water? EXERCISE 3 Effect of solute concentration on rate of osmosis Subtract the beginning mass from the final mass for each of the five bags. Record the difference in the table below. Double click the chart below to open a spreadsheet and enter the results from the table above to complete the graph. When you are finished with your work, click into another area in the lab report to close the spreadsheet (do not use the X in the upper right hand corner). For visual purposes the answer key shows the chart only from 10 grams to 22 grams. Your chart will begin at 0 grams. Answer the questions below based on data displayed in the graph above. Was the direction of net movement of water in bags 1 to 4 into or out of the bags? Which bag gained the most weight? Why? Explain the results from bags 4 and 5. Viewing the data you entered in the table above, summarize the results for each bag. Summary Tonic of Bag/Beaker 3 4 5 Ill. Permeability of Membranes EXERCISE 4 Differential permeability Tube 3 is tested for starch. Tube 4 is tested for chloride ions. Enter the data from the lab exercise into the table below. Contents of Beaker Contents of Bag O min 60 min Starch Chloride Ion Which substances diffused through the dialysis membrane? How does dialysis tubing model the differential permeability of a plasma membrane? What physical property of dialysis tubing allows it to be differentially permeable? IV. Tonic Tonic Hypotonic Isotonic Hypersonic Turgid. Polynomials. Lists Lased Hemolytic Hemolytic Creation A. Tonic in Plant Cells EXERCISE 5 Polynomials in Elodea cells Label which sample is turgid and which is polymerase (Answer 1 in each column). Label the cell wall, central vacuole, plasma membrane, and chloroplasts on each slide. For a more detailed view of the slides below, increase the document size to 150% using the drop-down feature on the toolbar or look under mom in the view options of the menu bar.

Atonement -The Opening Chapter Essay Example

Atonement Atonement -The Opening Chapter Paper Atonement -The Opening Chapter Paper Essay Topic: Literature As stated by Geoff Dyer the opening of Ian McEwans Atonement is almost perversely ungripping Set to inform rather than attract the reader, the first chapter of the novel is seemingly boring and pointless, on first inspection. However on deeper analysis the opening is found to be effective in setting up the rest of the novel, and foreshadowing the tragic events that occur as a result of the crime committed on that hot summers day. The focus of the opening chapter is to explore and describe the novels main character, Briony, and the aspects of her personality that lead to the novels conflict and heartbreak. This chapter also introduces many of the novels other main characters and relates them to the novels key concerns. The most important function of the opening chapter is to explore the character of Briony. From the opening sentence of the novel Briony is established as an imaginative and idealistic young girl, whose dedication to writing is lightly humoured by McEwan the play was written in a two-day tempest of composition, causing her to miss a breakfast and a lunch. The seriousness Briony sees in missing a breakfast and a lunch highlights a girlish innocence and naivety, which evidently fades as the novel progresses, and Brionys views on life change. Up until this point Briony has lived a relatively protected life, away from the conflict of the outside world, giving Briony a sheltered view on life and relationships. This sheltered view of relationships is shown in this chapter through the characters of her play The Trials of Arabella in which the heroine marries her medical prince on a windy sunlit day in spring. To Briony the reality of some relationships, being conflict, heartbreak and possibly divorce, belonged in the realm of disorder, lost to the idea of a wedding and a dizzy lifelong union. Her fantasies allow her to create any world she wants in which falling in love could be achieved in a single word a glance and a crisis in a heroines life could be made to coincide with hailstones. This perfectly created world that Briony has the ability to construct is what causes her inability to understand that real life cannot be constructed in the same way as her stories, and ultimately leads to conflict later in the novel. As stated by McEwan earlier in the chapter she did not have it in her to be cruel however her ignorance of reality and her passion for fantasies lead to the crime for which she must spend the rest of her life atoning for. The major problems in the novel occur due to Brionys adult ambition to write stories competing with her child-like love of fantasies and being the centre of attention. This is shown when McEwan describes the steps Briony takes before allowing her finished pieces of writing to be read only when a story was finished, all fates resolved and the whole matter sealed off at both ends ould she bind the chapters with a piece of string, paint or draw on the cover, and take the finished work to show her mother. Brionys maturity in resolving all fates is contradicted by the child-like idea of painting on the cover and showing her mother her finished piece of work. This highlights the opening of the novel as a turning point for Briony in which she is beginning to experience the adult world, as her mother recognises ah, that hot smooth little body she remembered from its infancy, and still not gone from her, not quiet yet. The arrival of her fifteen year-old cousin, Lola, furthers Brionys transition into adulthood, as Lolas sophisticated and mature appearance gives Briony a constricting sensation around her sternum. This is symbolic of the maturity in which Briony wishes she has, the maturity to take control of situations like Lola controls the twins, and the maturity to be treated as and look like an adult. Briony feels patronised by Cecilias enthusiasm which she sees tainted with condescension and victimised by the advance of Lolas dominion. It is here, however, in the midst of her longing to become an adult that Briony slips back into her child-like self-pity and fantasises to run away, eat berries and be found by a bearded woodsman one winters daw, curled up at the base of the giant oak, beautiful and dead, and barefoot, or perhaps wearing the ballet pumps the addition of the ballet pumps, a childs addition,confirming Briony as being not yet prepared for the adult world. In addition to the above themes of fantasies and growing up, it is through Briony that McEwan introduces the idea of marriage and the importance of social class. Brionys portrayal of marriage and love in her stories is representative of societies expectations at that point in time. As shown through The Trials of Arabella it was not socially acceptable to fall in love with a wicked foreign count (or a man of lower social status) and family would only approve of a wedding with the medical prince (or a man of equal or greater social status). Furthermore, as Briony reflects on divorce later in the chapter, as an affliction which she did not regard as a proper subject and a mundane unravelling that could not be reversed she mirrors societys views on divorce. It is evident that divorce is a rarely spoken of subject in the upper-class society in which the novel is set, which is why the arrival of the cousins from the north evokes very little sympathy in Briony. Brionys opinions and characters though representative of the views and values of the entire society, more accurately represent the Tallis household. It is suggested later in the novel that the cause of the father, Jack Tallis continued absence may be due to an affair, however Emily Tallis rejects this idea preferring not to know why Jack spent so may executive nights in London. This ignorance of her husbands whereabouts is Emilys attempt at avoiding conflict and her way of making her marriage appear normal and happy. Emily is the character in the novel most preoccupied with society and the appearance of normality. This is reflected in the opening chapter when McEwan talks of her criticising the impulsive behaviour of her younger sister and lament the situation of her three children it is through this that she expresses her views on the ideal family being free of conflict when she states the children can stay provided, the parents ept their quarrels away from the house. However Emily is so preoccupied with her illness and having her house appear normal that she does not take the time to properly acknowledge Briony. The exception being when she reads Brionys stories/plays, for which Briony is the projects highest point of fulfilment. It is this longing and love of attention from her family that spurs Brionys passion for storytelling and fantasies and ultimately leads to the conflict that occurs in the chapters that follow. Geoff Dyers comment that the opening is almost perversely ungripping is true of the first chapter of Atonement, to an extent. Though the opening appears dull and unlike the expected introduction of a novel, it is, upon closer analysis and effective way of setting up the rest of the novel. Particularly through its exploration of the main character, Briony and her connection to the other characters and the novels key concerns.

Railroad Network after the Civil War Assignment

Railroad Network after the Civil War - Assignment Example This essay stresses that the major cause of the Great Migration was the Emancipation Proclamation. It freed the African American society from slavery and allowed for their social rights and freedom as outlined in the U.S constitution. Secondly some of the population moved as a result of pressure from Anti-abolitionist who refused to end the slave trade such as South Carolina, Texas, Louisiana, Alabama, Mississippi, Georgia and Florida. There witnessed increased cases of segregation in these states and widespread violence against the blacks. This paper makes a conclusion that the Korean War was directly responsible for speeding up the militarization of the Cold war. It gave the conflict a massive military dimension and emphasis. Major countries embraced the militarization process with a distinct possibility of a major attack from either side of the two blocks. The U.S entered into a significant rearmament and moved five divisions to Western Europe and urged the rest of the NATO alliance to follow suit. Sara Palin an Alaskan Governor chosen to be nominated for the running mate by the then presidential hopeful John Mc Cain of the Republican Party. During the end of the campaigns, many women changed their perception towards Palin and her ratings dropped significantly. Palin was a fascinating and bold choice for the republicans. However, it is undeniably that she had an unusually minimal success in fulfilling her obligation to assist clinched the presidency for the republican ticket.

Reflections on Federal Welfare Policy - Week 3 - Journal Coursework

Reflections on Federal Welfare Policy - Week 3 - Journal - Coursework Example The federal government further governs the unemployment insurance, a program that provides unemployed individuals with a source of income for about 26 weeks. I believe the policies are effective in eradicating poverty thereby creating a desirable society for every American. Labor relations remain contentious issues with the country lacking a holistic federal policy to govern the compensation of workers. The unpredictable labor relations are likely to affect my social welfare when should I migrate from one state to another. Despite such, I believe that the governments are doing their best in providing the populace with a better living condition. Such policies as the No child left behind act and the Obama care have for example succeeded in reducing the costs of education and health care, two of the most important yet equally costly social requirements. This way, the public enjoys lower costs of living (Meier & Wood, 2004). Furthermore, the social security act safeguards the future of Americans after retirement thereby ensuring that every citizen enjoys a comfortable life. This week’s readings have exposed me to a number of policies thus reinforcing my belief that the government is doing enough to safeguard the social security of the